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Caitlyn Trevor, PhD
MSCA Postdoctoral Fellow
Tel.: +41 44 635 74 43
caitlyn.trevor@psychologie.uzh.ch
Website: www.caitlyntrevor.com
I am a Marie Skłodowska-Curie Postdoctoral Fellow researching music and fear (Project: EMUSIG) at the CANEURO lab at UZH. I recently completed my PhD in Music Theory at The Ohio State University. While there, I worked with David Huron as part of the Cognitive and Systematic Musicology Laboratory and taught undergraduate music theory and aural skills. My research interests include music and emotion (particularly fear), music and vocal affective cues, affective neuroscience, and applying topic theory to film music perception
| December 2018 |
PhD in Music Theory, The Ohio State University |
| August 2018 |
Master of Music in Cello Performance, The Ohio State University
|
| May 2016 |
Master of Arts in Music Theory, The Ohio State University
|
| May 2014 | Bachelor of Arts in Music, Illinois Wesleyan University |
|
May 2019 - current |
Marie Skłodowska-Curie Action Postdoctoral Fellow at UZH |
| August 2014 - December 2018 |
Researcher in the Cognitive and Systematic Musicology Laboratory at OSU
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| Summer 2015 | Center of Cognitive and Brain Sciences Summer Graduate Research Associate |
Trevor, C., Arnal, L., & Fruehholz, S. (2020). Terrifying film music mimics alarming acoustic feature of human screams. Journal of the Acoustical Society of America, 147( 6), EL540-EL545. (html) (pdf)
Trevor, C. & Huron, D. (2018). Animated performance: 'Better' music means larger movements. Music Theory Online, 24(4), 6. (html) (pdf)
Trevor, C. & Huron, D. (2018). Are humoresques humorous? On the similarity between laughter and staccato. Empirical Musicology Review, 13(1–2), 66–77. (html) (pdf)
Huron, D. & Trevor C. (2016). Are stopped strings preferred in sad music? Empirical Musicology Review, 11(2), 261–269. (html) (pdf)
